The artists in ancient Egypt used the bending hair for drawing body movements. The Egyptian artists in Amarna could also depict hair in a more plastic and less rigid way. In fact that followed one of the identity signature of the art of Amarna: more dynamic and natural. And maybe there were a contribution from Amarna to traditional iconoraphy on that subject.
Continue reading →The king in Ancient Egypt, despite his solar nature, was also a human being. After dying, the pharaoh became also a corpse, so a mummy. Therefore it was inevitable to asimilate the dead souvereign with Osiris. And he required also a resurection following the belief of Ancient Egypt. Even Akhenaten needed it. Royal sarcophagi in […]
Continue reading →Isis, Nephthys and later on also Serket and Neith were essential in the regeneration sphere. They, as women/goddessees, played a crucial role in the process of resurrection in Ancient Egypt. For that reason, ancient Egyptian artist included their images in every funerary artefact related with the mummy (at both ends of coffins and sarcophagi, in […]
Continue reading →Let’s start with that: women were crucial in Ancient Egypt for the dead’s resurrection. The rite of the professional mourning ritual in ancient Egyptian funerals was based on the Osirian theology. That happened becasue in the belief of Ancient Egypt the dead (Osiris) was regenerated thanks to aid of his wife/sister Isis (and by extension […]
Continue reading →During the reign of Akhenaten many things changed in Ancient Egypt. The new Pharaoh modified the artistic canon, his residence, the religion, the cult…but what happened with the death? Documents coming from that period of the history of Ancient Egypt show a belief on Aton as the creator of everything. The hymns pray to him […]
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