The artists in ancient Egypt used the bending hair for drawing body movements. The Egyptian artists in Amarna could also depict hair in a more plastic and less rigid way. In fact that followed one of the identity signature of the art of Amarna: more dynamic and natural. And maybe there were a contribution from Amarna to traditional iconoraphy on that subject.
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The Senet game of Ancient Egypt was a board game for leisure in common life, which also had its funerary side. It was present in the wall decoration and was part of the funerary equipment. According to it, the deceased played against the death and once he or she achieved the end of the board […]
Continue reading →Recently we posted about the decoration on the upper register of the funerary mask of Artemidora. In it, we could differentiate two main elements: to the mourning ritual (related to the osirian legend) at both ends of the scene and the solar resurrection in the center. Lower Register. This part of the funerary mask present […]
Continue reading →We know how important was the decoration on the corpse in Ancient Egypt. The egyptian artist selected the most effective iconography for the benefit of the deceased. Among the most requested images were those of the two mourners Isis and Nephthys. Because, in their role of mourners of Osiris, guaranteed the mummy’s resurrection. We have […]
Continue reading →The both sides of the mummy was a good place for strategical iconography. At first sight, it seems that the Egyptian artist did not spend many sources in the decoration at right and left of Artemidora. It is about a very minimalist image consisting just in three golden appliqués of Osiris being flanked by Isis […]
Continue reading →Isis and Nephthys are the most preeminent figures on the decoration over the mummy of Artemidora. Over the wrappings of the feet, two appliqués of gold depicted these two goddesses Osirian and Solar features. Isis and Nephtys are not identified with any inscription but we know their identity because they appear in a typical mourning […]
Continue reading →Looking carefully at the decoration on the mummy of Artemidora we can discover the intentions of the artist.
Continue reading →The artists of Ancient Egypt had a particular conception of perspective, which affected in the way they depicted groups of living beings and amounts of things. In our last posts we saw how in Ancient Egypt the funerary scene of Osiris being flanked by Isis and Nephthys was usually depicted with the two mourners of […]
Continue reading →Cartonnages in Ancient Egypt were used over the wrapped mummy mainly for mummy masks and some important parts of the body. The cartonnage of Irtirutja in the Metropolitan Museum of Art of New York dates from the Ptolemaic period. In it one can see how the artist of Ancient Egypt dedicated this technique for covering some special parts of the mummy. […]
Continue reading →The most evident proof of the importance in Ancient Egypt of Isis and Nephthys in a rebirth process is in the Books of the Day and Night, which describe the journey of the sun god through the sky. According to the thought of Ancient Egypt, especially during the New Kingdom, Nut was the goddess of […]
Continue reading →The religion of Ancient Egypt developed during the New Kingdom sophisticated religious texts, which combined the solar theology with the Myth of Osiris. As a consequence, the art of ancient Egypt included in its corpus of images a new solar-Osirian iconography. As we saw in the previous posts, the artists of Ancient Egypt started painting […]
Continue reading →The union of Re and Osiris supposed a challenge to the Ancient Egyptian Art, since new iconography was needed for decorating the tomb walls and the papyri. From the XVIII Dynasty, some passages of the Book of the Dead were introduced in the royal tombs decoration and that meant to depict moments and gods from […]
Continue reading →One of the main challenges for priests and artists in Ancient Egypt were to combine the osirian and solar cosmogonies in the funerary literature and iconography. The two main pillars in the belief of resurrection in Ancient Egypt were the myth of Osiris and the solar theory. The central aspect in the first one was the […]
Continue reading →There is always news about artifacts of Ancient Egypt. Now it is the turn of the coffin of “Denit-Ast”. It dates from the Persian Period and it is in the Toronto’s Royal Ontario Museum. As Gayle Gibson exposed, this coffin has many oddities in its decoration, which could be a proof of the lack of god masters in […]
Continue reading →Isis and Osiris were in the religion of Ancient Egypt the perfect couple. Despite the murder of Osiris, they could go on, Isis could revive her husband and both could have a boy. But Osiris was replaced by Apis. In the mortuary iconography of Ancient Egypt the union of Osiris and Isis was constant, as […]
Continue reading →There is a scene of the Book of the Dead from the tomb of Ay, in which are depicted on the solar boat the gods of the Heliopolitan cosmogony and the Myth of Osiris (apart from Seth): Re-Horakhty, Atoum, Shu, Tefnut, Geb, Nut, Osiris, Isis, Horus…and out of the boat Nephtys stands alone apart from her […]
Continue reading →In ancient Egypt the dead needed many faculties for restarting his new life in the Hereafter: breathing, seeing, walking…and virility. Sex was an essential aspect for the resurrection in Ancient Egypt and in the funerary rites some ritual practices were full of sexual symbolism. In this line I would like to focus on the ushabti […]
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